Download Creativity and Its Discontents: China’s Creative Industries and Intellectual Property Rights Offenses ebook
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Creativity And Its Discontents: China’S Creative Industries And Intellectual Property Rights Offenses

Creativity and Its Discontents is a sharp critique of the intellectual property rights (IPR)–based creative economy, particularly as it is embraced or ignored in China. Laikwan Pang argues that the creative economy—in which creativity is an individual asset to be commodified and protected as property—is an intensification of Western modernity and capitalism at odds with key aspects of Chinese cult...

File Size: 8416 KB
Print Length: 312 pages
Publisher: Duke University Press Books (January 11, 2012)
Publication Date: January 11, 2012
Sold by: Amazon Digital Services LLC
Language: English
Text-to-Speech: ::::
Word Wise: Enabled
Lending: Not Enabled
Enhanced Typesetting:
Format: PDF Text djvu book

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This book is recommended for those interested in the history of warfare, Russia, and Japan in the early 20th Century. Written with the zest of the genres' best tacticians. saying a person can jump right. I myself cant wait to see whats next. ebook Creativity And Its Discontents: China’S Creative Industries And Intellectual Property Rights Offenses Pdf. [and] its smart structure and unrelenting suspense will please Lee Child fans. The front and back cover have a vivid full color painting of the tea party. Can one little girl escape an island where monsters roam free - especially when the worst of them walk on two legs. While all of that was and is still enjoyable the medium that has really caught my interest came later in life and is the beautiful world of glass beads which allow one to present an image in almost a mosaic style. Neotypes also feel that not only can they change/save the world, but they feel it is their duty to change/save the world.
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“Laikwan Pang's book on China's promotion of its creative industries is fun and excellent - I read it in one sitting. Buy it, if only for the discussion of 'national cultural security'...”

re. Nevertheless, globalization has compelled China to undertake endeavors involving intellectual property rights. Pang examines China's IPR-compliant industries, as well as its numerous copyright violations. She describes how China promotes intellectual property rights in projects such as the development of cultural tourism in the World Heritage city of Lijiang, the transformation of Hong Kong cinema, and the cultural branding of Beijing. Meanwhile, copyright infringement proliferates, angering international trade organizations. Pang argues that piracy and counterfeiting embody the intimate connection between creativity and copying. She points to the lack of copyright protections for Japanese anime as the motor of China's dynamic anime culture. Theorizing the relationship between knockoffs and appropriation art, Pang offers an incisive interpretation of China's flourishing art scene. Creativity and Its Discontents is a refreshing rejoinder to uncritical celebrations of the creative economy.